Description:
I have a theory that the best fat ponies are drawn using a certain system of proportions that corespond to the components of an Ionic collumn’s entablature. And this is my proof of concept for it. Three areas with three different levels of “moulding” to each one, such as the complex necking/cornice, the smooth belly/frieze, and the suportive underbelly/architrave.
But hay, it’s not just a theory, it’s a GAIN THEORY, thanks for clopping.
